Category Archives: GARY HUSBAND
Multi-instrumentalist/composer Gary Husband has an ever expanding list of credits to his name, working over the years with numerous major artists from both the rock and jazz worlds. What he didn’t have (for quite a time) was an album of his own, but that changed in 1999 with the release of his debut solo set, Diary of a Plastic Box. Issued by a small indie label, the album was soon deleted (at Husband’s request), but Angel Air has now reissued it with a bonus CD of new material. Diary was intended as precisely that, a record of specific times, places, people, and things, an aural log that kept Husband grounded while touring with a variety of bands between 1989 and 1993.
The resultant album is a highly personal pastiche of short instrumental pieces, each distinctive and a world unto itself. A number of the musical themes presented within are revisited on the second disc, which is “a continuation of the journey,” as Husband explains in the sleeve notes. Taken together, the set is highly evocative, an exploration of mood-inducing music that feels cohesive, even though it’s quite diverse. Chuffing trains steam through Toytown, England’s rich green pastures are recalled, mice scamper gaily across keyboards, exhilarating jazz legends are revisited (as are the pomp-rock glories of yesteryear), and Christmas comes to a mall near you. Creating mostly in an avant-garde jazz mode, Husband folds into the arrangements a plethora of other styles, from jazz fusion to ambient chill. A number of pieces are guitar-driven, while rhythms in unusual time signatures play an important role in others. All told, Diary is an intriguing set, one that jazz fans in particular will find fascinating.
JO-ANN GREENE, Allmusic.com
Drumming legend Gary Husband did such a great job on the 2008 album by Jack Bruce and Robin Trower, Seven Moons, that it’s a bit strange to discover a 2008 double CD set from Husband that features him stretching out on some incredibly avant gard musical terrain.
Recorded on a Korg M1 synthesizer / workstation between 1989 and 1993 and initially released in 1999—with further recording, audio optimization, track/samples editing and entire remastering done in 2008—the 40 tracks that make up Husband’s The Complete Diary Of A Plastic Box sounds like what would happen if avant gard pioneer Edgard Varese decided to make an album of poly-rhythmic improvisational jazz fusion vignettes. A first rate jazz-rock drummer, Husband is on the same wavelength as the great Bill Bruford and—considering that this music sounds highly personalized and very electronic in nature—some of the pieces are similar in scope as Bruford’s ‘77 breakthrough debut Feels Good To Me. Commenting in the liner notes on the original recording, Husband adds, ‘Despite the fact that I was on the road, usually in my capacity as a drummer, working for other various artists, I’d constantly seek out opportunities to fade into the background and work on my own private musical endeavors, which, throughout these lengthy stretches, was an enormously fruitful and rewarding form of “therapy” for me.’
Throughout the 40 tracks on this 2008 double CD set on Angel Air, Husband’s unique electronic instrumental e-jazz makes for a wildly adventurous, yet completely captivating ‘soundtrack’ experience.
ROBERT SILVERSTEIN, NWE3.com CD Reviews
Unlike most expanded albums, what’s most remarkable about The Complete Diary of a Plastic Box is that it actually feels more complete as a double-disc set, with nearly two hours of multi-tracked explorations into the possibilities of one man, one Korg M1 Workstation and one set of headphones. Largely a set of miniatures with only three tracks exceeding five minutes, it’s effectively a travelogue of life on the road, a chance to hear Husband, who was largely touring as a drummer at the time, emerge as a talented keyboardist and writer. The album’s all-electronic complexion may put off the purists, but this is still a “playing” album— every layered track was performed in real time, with no quantization and the only editing an aid to connect each disc’s twenty songs.
In 1999, Diary was a calling card for Husband the keyboardist and composer. But the rhythmic aspects and knotty themes that pop up throughout are inventions that could only come from someone for whom rhythm is an equally important piece of the overall puzzle. Rather than thinking of Husband’s careers as drummer and keyboardist as two separate entities, it would be better to think of them as a single, integrated musical interest. With a strong sense of melody, groove and texture, The Complete Diary of a Plastic Box is a welcome return of an album that should have received more attention at the time and, in this new and improved expanded edition, deserves to draw attention to Husband as a complete musician, neither just a drummer or a keyboardist.
JOHN KELMAN (June 2008)
…the set is highly evocative, an exploration of mood-inducing music that feels cohesive, even though it’s quite diverse…one which jazz fans in particular will find fascinating.
Jo-Ann Greene, allmusic.com (June 2008)
Interesting fluid instrumentals presented with precise attention to detail…
www.babysue.com (June 2008)
With a strong sense of melody, groove and texture…a welcome return of an album that should have received more attention at the time…
www.allaboutjazz.com (June 2008)
…sounds like what would happen if avant garde pioneer Edward Varese decided to make an album of poly-rhythmic improvisational jazz fusion vignettes…Husband’s unique electronic instrumental e-jazz makes for a wildly adventurous, yet completely captivating ‘soundtrack’ experience.
www.mwe3.com (May 2008)
It has been a considerable time since I heard a truly new kind of recording. This is one of those, and in addition it is from a musician whom I have known and admired for many years, not only for his wizardry at the piano, but also for his artistry at the drums! He is an immense musical talent.
JOHN McLAUGHLIN (February, 2001)
This sharply focused album is made entirely from “Interpretations of the Music of Allan Holdsworth”, 10 tracks of solo piano played by a musician at the height of his powers… The result is a terrific album, full of flights of virtuosity, clever references to the jazz and classical repertoires and plenty of sonic surprises… Husband has taken possession of Holdsworth’s music, but in the friendliest possible way.
JOHN L. WALTERS, THE GUARDIAN NEWSPAPER “CD OF THE WEEK’ (September, 2001)
Husband’s considerable dexterity and fluency, his pianistic elegance and sureness of touch make this album such a memorable exposition of Holdsworth’s celebrated approach.
CHRIS PARKER (September, 2001)
You don’t have to watch Gary Husband at work for long to realise that he’s the kind of artist who pours every personal resource he can tap into his intense and passionate music… Husband is now widely credited for the brilliant pianist he is, and brings out the best of Holdsworth’s composer’s imagination… Remarkable virtuosity allied with sensitivity.
JOHN FORDHAM (September 2001)