Category Archives: RED JASPER

RED JASPER

RED JASPER Anagramary

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…it’s Robin Harrison’s soaring guitar that lifts opener “Perfect Symmetry” from the ’80s-indebted sonic boom and pours magic in Celtic-tinctured instrumental “Waterfalls (Rhaeadreau)”, and it’s drummer David Clifford, who later on entered the musicals scene, that delivers the album’s tremulous ballads, “Through The Dawn” and “In Her Eyes” with their classical piano line and acoustic lace that SCORPIONS would kill for.

DME Music Site


A few albums later (also now available on Angel Air) and 1996 saw the band record Anagramary, which would be the band’s last (the label folding, outside business interests). It continues in a similar (very English) vein, with opener Perfect Symmetry a hint of power metal over an earthy Celtic Marillion feel. Babylon as a much more modern progressive feel, building from the acoustic intro. In Her Eyes re-explores the folk prog side. Some good tracks, work exploring. And it comes with a bonus track too.

Joe Geesin – Get Ready to ROCK!


…the tragedy is that it was released with little fanfare and the band called it a day soon afterwards. It is well worth checking out, especially as the band are now reforming and will be playing tracks from it live for the first time.

Classic Rock Society (September 2012)


Almost completely gone are the brash punky overtones…this is an album teetering on the brink of standard ‘neo-prog’…

Fireworks magazine (October 2012)

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RED JASPER Action Replay

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…the juxtaposition of painful imagery and supple delivery in “Soldier’s Vision” hits the hardest, and “Contended Man” is the most elegant, its acoustic flow, though taut, makes a nice contrast to the tension of “Go For It” with its guitar bellicosity smoothed by a flute swirl.

But “Crawling Into Work” comes on hectic, a working class rock ‘n’ roll with a reggae bit reeking of Strummerville, while “Second Coming” and “Magpie” from “Sting In The Tale” gets flattened and rather less impressive than on the album, the latter’s vocal pack notwithstanding.

Still, when another unreleased song, “Cool To Be Crazy”, is unfurled to round off the show the madness receives its method, and the titular action begs for a repetition indeed. ***2/3

DME Music Site


Action Replay is an excellent introduction to the reasonably unique prog infested, politically angry and folk tinged music of this band.

Fireworks magazine (Sep-Oct 2012)


Action Replay is a live set recorded at the beginning of 1992 and so called as the late 1991 show planned yielded an unusable recording. The recording here is good but edited strangely – the tracks seem jump or fade one to another with little crowd or banter between. Still, the music is solid and tight, the prog mixing folk prog (Jethro Tull) through Crimson, Hawkwind and Genesis to Marillion. The delivery is hard and punchy, with some changes of influence, it’s a decent set that captures the live sound and catalogue well. And the tin whistles and guest keyboards add an extra dimension. The lead guitar is, at times, blistering too.

Joe Geesin – Get Ready to ROCK!

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RED JASPER A Midsummer Night’s Dream/The Winter’s Tale

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Perhaps, in the end the concept has worn thin, and one record in this vein would have sufficed. Yet it’s impossible not to admire such an undertaking in the shallow climate of ’90s. The Bard would have liked it. ***** / ***

DME Music Site


Fish era Marillion shows up as a very strong influence, although the ever present folk themes continue via the usage of mandolin, whistles and bodhran…a strange and unusual mix of traditional English music, 80′s neo-prog and stinging aggression, Red Jasper were a band slightly out of their time, but nonetheless enjoyable for being so…

Fireworks magazine (Sep-Oct 2012)

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RED JASPER Sting In The Tale

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Recorded in 1990 but set squarely in Thatcher’s Britain of the previous decade, this folk prog five-piece nails its politics firmly to the mast of the Left, lambasting state authority and control, jingoism, corporate greed and corruption from every quarter. Founder and front man Davey Dodds’ vocal stylings take getting used to, but a few listens in and it all starts to take shape. Unapologetically barbed, droll and razor-sharp lyrics are squeezed into phlegm-flecked shouting over sawing acoustics and supercharged sax while guest Fairport Ric Saunders lends nimble flourishes of violin, the effect a curious blend of Billy Bragg and Van der Graaf Generator (a parpingly-proggish ‘Secret Society’) by way of the Dropkick Murphys.

Three bonus tracks here reveal added polish in ‘Pull that Thumb (Off The Top Of Your Head)’ and ‘Flagpole’ while dramatic closer ‘England’s Green And Pleasant Land?’ is a reflective even plaintive piece revealing a more rounded talent than initial impression would suggest. ****

Review by Peter Muir – Get Ready To ROCK!


In places, FAIRPORTS’ Ric Sanders gives the results an air an authenticity with his fiddle’s diddle, yet elsewhere, the sax-oiled “Company Director” posits its critique much seriously, revealing all the depth of JASPER’s psyche, as does the funereal march of “Second Coming”, sprinkled with mandolin and whistles.

Still, it’s the EP track “England’s Green And Pleasant Land”, one of the bonuses here, that provides the ensemble with an epic, while “Flagpole” is a “Sting In The Tale” in miniature. The bigger they get the better, though, and that’s a blistering start of a rise. ****

DME Music Site


…”Sting In The Tale” shows a ‘Red Jasper’ heard from the beginning of the group. Characteristic for the music from the early period was the coupling of rock to folk music. The drive has a harder sound than on later albums and is not representative of the group’s later calmer sound – this is clearly a group who is looking to hear their own sound.

Progwereld


…Red Jasper would go on to bigger, better things (something that upcoming reissues ‘A Midsummer Night’s Dream’ and ‘The Winter’s Tale’ will attest) however ‘Sting In The Tale’ is still, for all its faults, a compelling debut album that illustrates great verve and skill.

Fireworks Magazine

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