Category Archives: GREENSLADE
…even in this rarest of phenomenon, Greenslade remain a unique proposition 40 years on.
DME Music Site (September 2011)
The classically inspired ‘Joie De Vivre’ is one of their more optimistic pieces, encompassing varying changes of mood and tempo and sounding clear and crisp throughout. Given the age of the source material the quality here is very good with each instrument being much defined.
Sea Of Tranquility (September 2011)
Greenslade’s unusual no-guitar-but-two-lots-of-keyboards line-up is heard in great form across a running time of of just over an hour…The music recalls the unit’s powerful combination, made up of keyboards alchemist Dave Greenslade and bassist Tony Reeves (they’d been together in Colosseum), Dave Lawson (vocals and additional keyboards, previously with the Alan Bown Set), and Andrew McCulloch (drums, latterly with King Crimson)
The Beat (September 2011)
…the quality of this live recording is very good, bearing in mind we’re talking live recordings from the mid-70s here! Not just a must for Greenslade fans but everyone who calls themselves prog-rock fans!
Music-News.com (September 2011)
With their studio output newly reissued, this live offering is a timely and complementary perspective.
Classic Rock Magazine (October 2011)
A fascinating live set from Angel Air, showcasing the only available live recordings from Dave Greenslade’s creative heyday.
Kevin Bryan, Stirling Advertiser (October 2011)
…an excellent insight into a band that arguably were way ahead of their time and which blazed a trail that many keyboard led progressive acts have followed. This album is an excellent introduction to the world of Greenslade.
Fireworks magazine (November/December 2011)
Their dedicated following will love this opportunity to relive those heady days of mind-expanding prog rock gigs.
A fascinating live set from Angel Air, showcasing the only available live recordings from Greenslade’s creative heyday in the early seventies.
This CD provides an introduction to the band as a whole, providing a selection of superb Mellotron keyboard sequences alongside stretches of brilliant Minimoog progressions. New prog fans will find Greenslade a tight band, musically, without the often debilitating self indulgence yet offering a series of multifaceted ideas that blend into often intricate conglomerates of ideas that stand repeated listening.
Hi-Fi World (April 2012)
Highlights include ‘Cakewalk’, very keyboard driven and not unlike Camel; ‘Feathered Friends’, an up-tempo blues meets jazz workout and the exceptional vocal talents of John Young…Interesting listen – very laid back sound, with plenty of musical variety mixing jazz, blues, AOR and progressive music well.(****)
Jason Ritchie, www.getreadytorock.com (February 2004)
It was a splendid evening that took many of the audience back to a time when ‘music was music’…
Martin Hudson, Classic Rock Society (March 2004)
…There’s more prog-minded magic in store this month, as Greenslade bounce back from almost 30 years in exile, with Live 2001 – The Full Edition (Angel Air). Recorded on February 10 2001, when Greenslade appeared at a Classic Rock Society gig in Rotherham, England, the album reunites founder Dave Greenslade with just one former colleague, bassist Tony Reeves. But with sterling performances from new vocalist John Young and drummer John Trotter, Live 2001 captures the band’s entire set that night – 12 songs that recall some of the original group’s best loved numbers, at the same time as looking forward with a handful of fresh compositions carved exquisitely in traditional Greenslade form. A new Greenslade album is apparently in the works – if Live 2001 is anything to judge by, it should be a winner.
Jo-Anne Greene, Goldmine (March 2004)
…Tracks are taken from throughout the band’s career…there is definitely an audience of proggers that will want this CD
Feedback (June 2004)
…a welcome reissue…a fine album which maintains the high standards set by its creator.
Steve Ward, Classic Rock Society (August 2004)
This is an ambient New Age album from a keyboard player who has produced some stunning work…
Feedback (September 2004)