Category Archives: BOBBY HARRISON

BOBBY HARRISON

BOBBY HARRISON Anthology

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Thirty tracks here that will hopefully make the world more aware of Bobby’s substantial contributions to the world of music. Plenty of cool rockin’ stuff that’s perfect for spring driving…

www.babysue.com (March 2011)

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BOBBY HARRISON Funkist

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…a first-time-on-CD reissue for waht many fans consider the missing link between his careers with Freedom and Snafu…Funkist featured contributions from fellow future Snafu man Micky Moody, Humble Pie’s Clem Cattini, Deep Purple’s Ian Paice, Black Sabbath’s Tony Iommi, Procol Harum’s Matthew Fisher, Wings’ Henry McCulloch and Juicy Luicy’s Ray Owen…

Jo-Ann Greene, Goldmine (April 2000)


…an interesting document of a classy singer with some good songwriting ideas. Hats off to Angel Air for their comprehensive sleeve notes and interview which sets the scene and gives perspective to this release.

David Pearson, Wondrous Stories (April 2000)


…Micky Moody (Whitesnake), Ian Paice (Purple), Tony Iommi (Sabbath), Matthew Fisher (Procol): all these and more contribute to an album released in the early 1970s…which made the US Top 100.

Michael Heatley, Classic Rock (May 2000)


…there is plenty of funk and soul mixed with the blues-based rock that Bobby is best known for…The whole album is an easy mix, and Purple or Sabbath fans shouldn’t expect too much heaviness. But it’s a real gem, nonetheless

Record Collector (June 2000)


…a colourful collection of soulful bluesy-based British rock

Peter French, Hartlepool Mail (July 2000)


…Fans of funky heavy rock should definitely have a listen…

Mohair Sweets(August 2000)


The music is very much in the 70s, but it’s sheer delight if that’s where you like it coming from…As regular readers of MD will know, Angel Air have released some very good albums, and this is yet another one. Avid fans of Sabbath will also find this release a welcome addition as Iommi is here, as will Purple fans, oh, and fans of…

Modern Dance Issue 32 (December 2000)


The album’s sound is embedded in 60s/70s Brit rock sound but the opening track, “Cleopatra Jones”, features horns and female backing vocals, giving it a 70s disco quality. Some would even say the music could have been a perfect soundtrack to a 70s porn movie featuring Harry Reems. The rest of the album features Hammond organ, bluesy guitar, and the deep,gritty and emotional vocals of Bobby Harrison…Funkist is for those of you who want to check out early bluesy R&B based British rock, not necessarily the headbanging crew.

Metal Dreams #5


…what we have here is a piece of rock history that was only ever released in the US before…That Bobby Harrison has a great voice, and a great ability to use that voice can be seen by comparing a track like ‘Little Linda Lovejoy’ with its rawer edged vocals and the purer tones of something like ‘Spotlight’. The quality of the backing musicians adds all you expect to the music from the likes of Ian Paice, Tony Iommi and Micky Moody amongst many others. A classic finally gets a well-deserved release.

Adrian Lyth, Classic Rock Society (July 2002)


This mid-price reissue makes available a class album taking in the blues-rock and hard rock of the era and giving it plenty of funk rhythms and soul overtones…

Joe Geesin, Record Collector (August 2002)

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BOBBY HARRISON Solid Silver

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It’s always pleasing to get something from a musician that you remember from the 70′s but you wondered what he was doing now. The original drummer with Procul Harum, founding member of Freedom and lead singer with 70′s rockers Snafu, Bobby Harrison has a pedigree. This album is a step in another direction, a lot more blues and AOR but the aforementioned pedigree shines through.

It’s one of those albums where Harrison’s voice is supported by neat jazz saxophone and piano solos and is always upbeat except where Harrison sings a purposeful ballad like the opener ‘It’s Over’or if he gets ultra bluesy as on ‘Hot Stuff’. Second track, ‘The Hunter’, has opening bars that reminded me so much of ‘Spirit In The Sky’ while the sax is covered superbly on ‘Overload’ by Stefan Stefanson.

For me Harrison stands for part of my musical past and this album has enough to intrigue me.

Adrian Lyth, Classic Rock Society


The album features many differing musical styles, from big, clenched fist, AOR ballads to Blues Rock…Mezzaforte’s influence on the sound is immense and the jazzy saxophone and luscious electric piano chords are an unusual but effective accompaniment to Harrison’s blues soaked delivery…by and large this is an enjoyable album of jazz tinged Blues Rock.

Steve Ward, Wondrous Stories (Feb 2002)


…the album is saved by slick arrangements and both ‘Victim Of Love’ and ‘Oh Pretty Woman’…have a raw appeal.

Rich Wilson Record Collector (April 2002)

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