Category Archives: ROBIN GEORGE
…demos as they are, these 17 tracks retain their potential even after almost three decades of shelf life.
DMME.net (March 2015)
As you would expect the musical template follows that of ‘Dangerous Music’ with Robin George taking the 80′s synth pop sound and successfully adding guitar crunch, along with his distinctive high end vocals…If you have a copy of ‘Dangerous Music’ in your collection then you need part 2 as well. Classy pop rock with lots of synths and enjoyable melodies. Often sequels don’t live up to the originals, luckily in this case that doesn’t apply. ****
Jason Ritchie, www.getreadytorock.com (March 2015)
…this is a worthy trip down memory lane for any fan of Robin George’s music. Me I’m off to see if I can find my old leather jacket and pixie boots in celebration of the release of ‘History’…
Uber Rock (August 2014)
Re-mastered by Robin himself, ‘History’ has been kept as an honest appraisal of its time, a little tape hiss and abuse of the sound-limiters in evidence. However, don’t let that put you off experiencing the ‘History’ of one of the U.K.’s most under-sung Melodic Rock songwriters in his most honest, raw form.
Fireworks Magazine (August 2014)
This new release unearths a body of work recorded some 30 years ago that until now had never seen the light of day. The album mixes rock, pop, funk, reggae for an experience that would’ve been right at home somewhere in between the radio rock of Foreigner and stadium-pop reggae of UB40 in 1980. While this may not exactly sit well with metal or reggae traditionalists, there’s no denying the craftsmanship and guitar work on numbers like ‘Go Down Fighting’ and ‘She Really Blew My Mind.’
New Noise Magazine (August 2014)
The quality lifts with the arrival of Ocean Colour Scene, quickly followed by Lane’s musical associates Slim Chance, who ably shift into knockabout form for Pistol Glen Matlock taking the vocal lead and The Clash’s Mick Jones doing his best guitar posing on a touching version of The Face’s ‘Debris’ and suitably raucous ‘You’re So Rude’.
Classic Rock Magazine (August 2014)
…the development of an obviously talented musician, his equally talented surroundings and the makings of the future rock artist, bluesman and master arranger are all there, even at such an early point. I think this one is for us oldies, but most aspiring musicians or rock fans have a lesson coming here.
Festival Photo (July 2014)
Some of the tracks such as ‘Heartline’ would be rejigged by George when he was launched as a solo artist by Arista in the mid-80′s so the listener gets to enjoy an early version of this often overlooked pop rock classic.
Sea Of Tranquillity (July 2014)
History supplies a tuneful vehicle for the Wolverhampton born musician’s inventive brand of music-making, with ‘Heartline’ and ‘Go Down Fighting’ emerging as the cream of an undemanding crop.
Kevin Bryan, Regional Newspapers
Here we find hard rock, with the help of keyboards as you can tell from the opening of “Heartline”, while my favorite “Spy” has a fresh melody that reminds me of the Yes group, provided by the acoustic guitars, which are combined with power, and most of all this comparison comes from the shrill voice of Robin George.
MetalFOX (September 2014)
The music has stood the test of time and in ‘Heartline’ you have a true rock anthem that should be gracing any rock compilation worth its salt. The crashing guitar riff, harmony vocals and keys make for a song you can listen to again and again. But there are plenty of other delights including ‘Spy’, which has a slight T Rex feel mainly in the vocals. The catchy ‘No News Is Good News’ would I am sure have proved a worthy single if given the chance as would ‘Showdown’ which featured Phil Lynott on bass.
Of the five bonus songs three are from the ‘Tommy Vance’ show with ‘Spy’ dropping the acoustic sound of the album version for a more keyboard led approach. It actually sounds better than the album version! There is also a heavy remix of ‘Heartline’, which again is worthy having if you’re a fan.
One of the great 80′s melodic rock albums from a UK artist who could more than hold his own against the deluge of US melodic hard rock bands around at the same time. An essential album to have in your collection. ****1/2
Jason Ritchie, www.getreadytorock.com (September 2010)
…an excellent 80′s radio Rock album…If you’re into slick FM rock, AOR and Melodic Hard Rock then ‘Dangerous Music’ could be a hidden gem…
www.foob.be (September 2010)
Most numbers are a mix of solid rock, ’80s melodious pop rock…it sounds real great, too.
www.music-news.com (October 2010)
Dangerous Music was the launching pad for what was to come…
www.seaoftranquility.org (October 2010)
…a very slick commercial album…plenty of Robin’s tasty guitar work…but it also presents many songs that, in a perfect world, would have been major hits…This reissue will hopefully make more people aware of this talented fellow’s early recorded work. Top pick.
www.babysue.com (November 2010)
…this might well introduce some newcomers to Robin George’s oeuvre…Dangerous Music showcases Robin’s versatile guitar and songwriting skills and makes a refreshing change from the well trodden cliches of 80′s rock standards.
www.tnt-audio.com (November 2010)
Angel Air are best known for their impressive reissue catalog and high on the list of 2010 reissues is Dangerous Music…
www.mwe3.com (November 2010)
Although the album is very much a product of its time, the standard of song writing and musicianship means that George’s smart guitar work and the wonderful keyboard interplay elevates the eighties vibe of the songs into something that still sounds fresh and relevant today
Fireworks (December 2010)
This sought after 1985 album by Robin George finally gets a reissue … It’s very 80′s squeaky clean pop-rock…
Classic Rock Society (December 2010)
The fact that over the course of his career Robin has worked with some of the biggest names in the music industry, like Robert Plant, Phil Lynott, Glenn Hughes and Carl Palmer, to name just a few, I think speaks for itself as to amount of talent this guy possesses as a musician.
www.seaoftranquility.org (January 2011)
The production has typical ’80s drum bangs and stylish keyboards, and George more than hints towards being radio-friendly – in fact, he does everything that can be expected to appeal to the masses by offering catchy songs over which he drools with his falsetto. In addition, the songs are colored with a slightly oriental touch for the sake of being exotic.
The result is a bit dated and forced, and yet it features some wonderful lead guitar playing and the musicianship is quite good.