Category Archives: DAVEY DODDS
This is an album strongly infused with traditional and Celtic themes with the title track telling the story of poor Cornish folks trying the eke out a living whilst the rich Londoner lives high on the hog, but there’s hard edged social and political comment as well, notably on tracks like “Merlin’s Isle of Gramarye”, where he rails against fat-cat politicians and corporate greed, and he ramps up his electric guitar to put this message across forcibly on this which, at nine minutes, the longest track on what is, overall, a really good album.
Classic Rock Society (December 2017)
Often likened to Fish vocally, Dodds’ strong storytelling style comes through in this thoroughly stripped back setting where bodhran, mandolin, fiddle, tin whistle and even ‘bones’ are the backing for the vocalist to tell his tales – two of the musicians involved being Red Jasper men, Robin Harrison and David Clifford. The protagonist certainly hasn’t lost any of his acerbic edge, Dodds still turning a spotlight on what he views as social imbalances. The result is an album steeped in traditions, not just musically but also lyrically…an honest album that thrives on a clear love for the music and approach it employs…
Sea Of Tranquility (September 2017)
Where the Englishman’s erstwhile approach would be to weave his voice into a thick instrumental tapestry and tell a many-layered story, now Davey’s method is creating a threadbare, transparent, web-like experience of a song. It’s a cocoon of sorts, unravelling most impressively when the vocalist looks back on Dodd’s own classics such as “The Magpie” that THE UNTHANKS recently returned to the public attention: stripped of sonic assault and ensemble harmonies inherent to its “Sting In The Tale” original and left at the mercy of its writer’s a cappella choir that doesn’t require even the slightest strum, the tune is packing a mightier punch.
As only a couple cuts are given a group treatment, Davey’s ex-colleagues flocking in to adorn “Shoot The Gruffalo” and “Merlin’s Isle Of Gramarye” in an ethereal electric garb, most of the album numbers glimmer in the light reflected off Dodd’s mandolin and Martin Solomon’s fiddle and Celtic harp which make pieces like “Storm Cat Song” possessed with intrepid spirituality.
DMME.net (September 2017)
It is the harmonica of Kevin Taylor that stands out on ‘The Shaman’s Song’, it’s pretty serious music and full of mystery. ‘Shoot The Gruffalo’ is a sort of frenzied dance in the pure Celtic tradition, a successful way of finishing this beautiful album that at times reminds me of another English giant: JETHRO TULL, the influence can be heard in ‘Kick Off Your Shoes’. Unique music from an album with many traditional instruments – authenticity guaranteed.
Highlands Magazine (Translated – August 2017)
…The Magpie is a striking song because it’s all acapella. A full band version can be found on Red Jasper’s debut album in 1990. ‘The Shaman’s Song’ has harmonica in the arrangement, which makes a positive difference to the other songs of the album. Also remarkable is ‘Merlin’s Isle Of Gramarye’…The guitar and bass guitar are in the hands of Robin Harrison, while his Red Jasper mate David Clifford is on the drums…
ProgWereld (Translated – July 2017)
Davey admits that the prog-rock thing was self-indulgence on his part but some of Red Jasper’s music remains with him and several tracks are reworked on Kernowcopia. He’s also reunited with two members of the band…
RnR Magazine (July 2017)
Dodds enjoys revisiting some emblematic titles of the Red Jasper era. ‘The Magpie’ from Sting In The Tale (1990), recently released by the folk band The Unthanks on their 2015 Mount The Air album, ‘Jean’s Tune’ from A Midsummer Night’s Dream (1993), ‘Ship On The Sea’ and ‘The Shaman’s Song’ from The Winter’s Tale (1994) are among them.
Located at the crossroads between Jethro Tull for music and Fish for voice, Davey Dodds returns to the front of the stage primarily for his own pleasure. And that’s fine!
Prog Female Voices (June 2017)
I have always enjoyed Davey’s vocals, and the album certainly doesn’t give the impression that he has been away from the scene for so long, nor that he had to get himself a mandolin, as he is in full control, and it really was only yesterday that he was treading the boards (I commented that he didn’t seem to have changed much, and the response was “I have a painting in the attic”).
This is a truly beautiful album, and credit must be given to Derek Aunger who has worked with Davey to capture an incredible sound. The only real issue with it is that I have been playing it so much that it stopped me from listening to other material that I should have been getting on with! As to the album title, if you didn’t know, ‘Kernow’ is the Cornish name for Cornwall, so it is a play on that and “cornucopia” (an abundant supply of good things). Even though I’m from Devon, I must admit it’s not just pasties and the A38 that are the only decent things coming out from Cornwall, I’ll add this album to that incredibly small list. I love it.
MLWZ.pl (June 2017)
Dodds’ album is primarily Folk…drummer David Clifford is there on two pieces; guitarist and bassist Robin Harrison even features on “Merlin’s Isle of Gramarye”…otherwise, the album is dominated by Dodds’ vocals and mandolin with Martin Solomon’s fiddle…
Musik An Sich (Translated – June 2017)
Magnificent Cornish storytelling songs from prog rocker Davey Dodds! The best folk release of the last decade!
Keys and Chords (June 2017)