STACKRIDGE – Stackridge

£12.99 (GBP)


1. Grande Piano
2. Percy The Penguin
3. The Three Legged Table
4. Dora The Female Explorer
5. Essence Of Porphyry
6. Marigold Connection
7. 32 West Mall
8. Marzo Plod
9. Slark
10. Slark (single version)
11. Let There Be Lids









Once upon a time, there was a band called Stackridge. Inspired by three disparate musical influences – the Beatles, Frank Zappa and the Incredible String Band – they aspired, according to guitarist, bassist and singer James Warren to ‘a pure, solid melodicism, rhythmic complexity and a weird combination of pastoral,
philosophical and positively surreal lyrics.’

The original six-piece line-up that came together in Bristol in 1969 comprised Warren, Andy Davis (guitar, keyboards, vocals) and Jim ‘Crun’ Walter (bass) from local blues band Griptight Thynne, Mutter Slater (flute, vocals), Mike Evans (violin) and Bill Bent (drums).

Their originally selected name, Stackridge Lemon, was quickly and sensibly shortened. They had managed to play the very first Glastonbury in 1970 – not 1971, as official histories sometimes suggest – alongside Keith Christmas, Al Stewart and Marc Bolan. ‘We were the opening act and came back on at the end of the second day to finish the proceedings,’ is James’ sole recollection of what was then known as ‘The Shepton Mallet Rhythm and Blues Festival’. Oh, and the free milk from Michael Eavis’s herd.

‘Stackridge’ was created on 16-track equipment at Kingsway Studios, London in 1971 with the help of producer Fritz Fryer of Sixties harmony group the Four Pennies; engineer was Martin Birch, who went on to produce many famous heavy metal acts. Quite what he made of Stackridge’s cast of characters that inhabited their songs is not known. This album was originally released on 6th August 1971.

Now remastered by James Warren and Andy Davis – enjoy English popular music at its creative best.



The CD on this set is a 'best of' which has been seen before back in 2006 and is a good introduction to this quirky band who cover everything from folk through to pop, whimsical tunes like ‘The Galloping Gaucho’ and a bit of prog as can be heard on ‘Fish In A Glass’. The band are very talented musically and for those new to the band this is a good as place as any to start off.

The DVD was recorded at a concert in Bath last year and is preceded by interviews with avid fans who were obviously really looking forward to the gig. The set list comprise twenty five songs including the Korgis hit 'Everybody’s Got To Love Sometime' as the Korgis featured a couple of members of Stackridge. The band’s sound is expanded in the live arena by adding two female violinists, one of whom also adds backing vocals. As an added bonus you get interviews with the band members (conducted on a rooftop of all places!) where the band give some wonderful insights into the first ever Glastonbury festival.

A perfect sound and visual introduction to the band who deserve a wider audience to go with the critical acclaim they have already received down the years. ****

Jason Ritchie, (August 2008)

Another excellent CD/DVD package from Angel Air, this time featuring the eclectic band Stackridge.

The CD has fifteen tracks culled from the band's entire catalogue; going back to their eponymously titled debut album from 1971 and coming right up to date with a re-working of 'Purple Spaceships Over Yatton'.

The instrumental 'Lummy Days' is a strong opener, and amongst the collection are favourites such as 'Syracuse The Elephant' and 'Do The Stanley'.

If you've never heard any of Stackridge's music before, this is a great place to start, and it'll have old fans digging out their old albums again.

The DVD is a gem, a live concert filmed in 2007 at a sold out Rondo Theatre in Bath. Two and a half hours of classic Stackridge music featuring the band's main four stalwart members James Warren, Andy Davis, Mutter Slater and Crun Walter.

Martin Hutchinson. The Bolton News (August 2008)

An audio CD featuring many of the band's finest musical moments is coupled with a DVD recorded at their concert in Bath last year...

Kevin Bryan, Stirling Advertiser

...combination of quirky pop, understated classical elements and a pastorally English songwriting maturity retains its charm down the years...

Steve Caseman, RocknReel (October 2008)

...the irresistibly melodic Squeeze-style Last Plimsoll, the gorgeous pop harmonies of Friendliness and the proggy instrumental Purple Spaceships Over Yatton indicate that Stackridge were more than funsters...a fine collection...

Classic Rock Society (October/November 2008)

A perfect melange to lose the game - and be revered now...And then go back to investigate the albums' context. (November 2008)

...while it may be too late for Stackridge to attain any modicum of the fame and fortune that eluded them in their prime, a case could be made that for a deserving ensemble such as this, any attempt - even three and a half decades on -- is still none too late.

Of course, one should expect there would be ample evidence as to why anyone other than their original diehard devotees should care about Stackridge resurfacing. So fortunately, these two double discs offer the uninitiated an enticing backwards glance of the group in all their glory via the cream of their catalogue. While 'Anyone For Tennis?' offers a basic compilation/compendium (as well as a DVD of the aforementioned The Forbidden City performance),

...while 'Anyone for Tennis' is fine for starters, it takes 'The Forbidden City' to prove -- its intimidating title aside -- that catching up on guilty pleasures like these can be ever so liberating.

Lee Zimmerman, November 2008

...many of the band's finest musical moments...

Kevin Bryan, Stirling Advertiser (January 2009)

Fans of the eccentric Bristolians should welcome this opportunity to compare and contrast the two creative visions on display here

Kevin Bryan, Hartlepool Mail (May 2007)

Witty lyrics, discreetly satisfying instrument embellishments and wistful West Country vocals produce a light masterpiece of gentle poignancy

RocknReel (June 2007)

...just as engaging as any of its predecessors

Jo-Ann Greene, Goldmine, April 27 2007

Not an easy album to come to grips with, buit one which grows, and sounds better as a CD slab rather than two vinyl sides...

Maverick (October 2007)

Fans of the eccentric Bristollians should welcome this opportunity to compare and contrast the two creative visions on display here...

Kevin Bryan, Stirling News (Dec 2007)

Now here's something special...they really do sound as fine as ever...They are essentially a rock band with a bluesy and sometimes funky edge and these songs give all the chance to shine, showing there's plenty in the tank yet.

Classic Rock Society (Dec 2007)

...their sterling efforts this time yielded beguilingly memorable tracks...Excellent stuff.

Kevin Bryan, Hartlepool Mail (April 2007)

It follows a similar idiosyncratic and distinctive approach to their earlier work, although with a more focused form of madness...

Rock n Reel (May 2007)

...there was much more to this jesterly West Country bunch than an anarchic stretching of the boundaries of folk into Old Grey Whistle Test impossible hybrid of jazz-rock and folk, though the CD retains much of the festival-friendly frolics that came as part of the original package.

Record Collector (May 2007)

As surprising as it may sound, here are comedy character vignettes worthy (and reminiscent) of Ian Dury, and a bouncy playfulness that blends music-hall tinkling, cod reggae brass and easy interludes to bring to mind The Buzzcocks, Zappa and even Madness

Derek Hammond, Record Collector (April 2007)

'an exceptionally well-formed and functioning band with a grasp of their musical history and an ability to craft songs that pulled together an eclectic albeit potentially commercial collection of musical strands.

Danny Moore, Rock&Reel (April 2007)

Desperate recklessness could be the motivation for this record yet its motif is as jolly as it gets...a different kind of gem.

Let It Rock (April 2007)

This likeable outfit continued to mine the same rich vein of peculiarly English musical eccentricity which had won them so many friends in previous years

Kevin Bryan, Mid-Sussex Chronicle (May 2007)

...more professional musically, if lacking in off-the-wall inspiration...

Maverick (October 2007)

Wild, wacky and wonderful, this 1975 set is best described as Stackridge's answer to Sgt. Pepper, as written by Monty Python, while simultaneously channelling the Gershwins...

Jo-Ann Greene, Goldmine (November 2007)

Gorgeous tunes, skilfully played with just the right amount of light and shade, and recorded with evident love and care, rendered one of the band's best.

With the oxygen of Angel Air, this reissue, with bonus unreleased demos, should fly further than before. And justifiably so.

Peter Muir, (May 2007)

...lyrically Stackridge remained just as eccentric as ever

Kevin Bryan, Hartlepool Mail (May 2007)'s absolutely flipping, flapping, flupping brilliant. What a stunner of a selection of songs...this is on a level with Rubber Soul and Sgt. Peppers.

Geoff Smiles, Classic Rock Society (July 2007)

Deeply melodic, strikingly hook-laden, Something For The Weekend is classic Stackridge, updated for the modern era, and so much more adventurous than most 70s reunions could even dream of proving. Maybe they should try again?

Jo-Ann Greene, Goldmine (June 2007)

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